Don't worry. 'Rhyming' not an issue on this thread. 'Couplet' not an issue on this thread.
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Best Rhyming Couplet in a Song
- Thread starter summerisle
- Start date
- Status
"So now I'm rolling down Rodeo with a shotgun
These people ain't seen a brown skinned man since their grandparents bought one"
These people ain't seen a brown skinned man since their grandparents bought one"
Rhyming Couplets
Just so we're sure what we mean here,
In poetry, a couplet is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second.[1]
The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's Arcadia in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere."[2]
While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called heroic couplets. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their writing in heroic couplets. The Poetic epigram is also in the couplet form. Couplets can also appear as part of more complex rhyme schemes, such as sonnets.
Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
On the other hand, because rhyming couplets have such a predictable rhyme scheme, they can feel artificial and plodding. Here is a Pope 17th century parody of the predictable rhymes of his era:
Where-e'er you find "the cooling western breeze,"
In the next line, it "whispers through the trees;"
If crystal streams "with pleasing murmurs creep,"
The reader's threatened (not in vain) with "sleep.
20th century;
Wouldn't it be nice to get on with me neighbors
But they make it very clear they've got no room for ravers
They stop me from groovin, they bang on me wall
They're doin me crust in it's no good at all,
Lazy sunday afternoon, I've got no mind to worry, close my eyes and
Drift away
Here we all are sittin in a rainbow(do do do do)
Cor blimey hallo missus Jones hows your Berts lumbago?
I'll sing you a song with no words and no tune
To sing in your Khazi while you suss out the moon,
Just so we're sure what we mean here,
In poetry, a couplet is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (open) couplet, the meaning of the first line continues to the second.[1]
The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's Arcadia in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere."[2]
While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called heroic couplets. John Dryden in the 17th century and Alexander Pope in the 18th century were both well known for their writing in heroic couplets. The Poetic epigram is also in the couplet form. Couplets can also appear as part of more complex rhyme schemes, such as sonnets.
Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
On the other hand, because rhyming couplets have such a predictable rhyme scheme, they can feel artificial and plodding. Here is a Pope 17th century parody of the predictable rhymes of his era:
Where-e'er you find "the cooling western breeze,"
In the next line, it "whispers through the trees;"
If crystal streams "with pleasing murmurs creep,"
The reader's threatened (not in vain) with "sleep.
20th century;
Wouldn't it be nice to get on with me neighbors
But they make it very clear they've got no room for ravers
They stop me from groovin, they bang on me wall
They're doin me crust in it's no good at all,
Lazy sunday afternoon, I've got no mind to worry, close my eyes and
Drift away
Here we all are sittin in a rainbow(do do do do)
Cor blimey hallo missus Jones hows your Berts lumbago?
I'll sing you a song with no words and no tune
To sing in your Khazi while you suss out the moon,
A wise man once said
“Naughty, naughty.. very naughty”
“Naughty, naughty.. very naughty”
Alanbileysfeathercut
Player Valuation: £80m
Kopites are gobshites
Every single one of them.
Shakespeare-esq
Every single one of them.
Shakespeare-esq
You lost the league
At Goodison park
You lost the league
At Goodison park
At Goodison park
You lost the league
At Goodison park
Charles Hawtrey
Player Valuation: £50m
written by Shell Silverstein, author of "the Giving tree" and other kids books - surprised me!
Charles Hawtrey
Player Valuation: £50m
From the Elvis Costello selection, one of the longest analogies in song :
"Everyday I write the book
Chapter One: We didn't really get along
Chapter Two: I think I fell in love with you
You said you'd stand by me in the middle of Chapter Three
But you were up to your old tricks in Chapters Four
Five and Six.
And I'm giving you a longing look
The way you walk
The way you talk and try to kiss me
And laugh in four or five paragraphs.
All your compliments and your cutting remarks
Are captured here in my quotation marks.
And I'm giving you a longing look
Everyday I write the book
Don't tell me you don't know the difference
Between a lover and a fighter
With my pen and my electric typewriter
Even in a perfect world where everyone was equal
I'd still own the film rights and be working on the sequel."
"Everyday I write the book
Chapter One: We didn't really get along
Chapter Two: I think I fell in love with you
You said you'd stand by me in the middle of Chapter Three
But you were up to your old tricks in Chapters Four
Five and Six.
And I'm giving you a longing look
The way you walk
The way you talk and try to kiss me
And laugh in four or five paragraphs.
All your compliments and your cutting remarks
Are captured here in my quotation marks.
And I'm giving you a longing look
Everyday I write the book
Don't tell me you don't know the difference
Between a lover and a fighter
With my pen and my electric typewriter
Even in a perfect world where everyone was equal
I'd still own the film rights and be working on the sequel."
That's genius. Which song is this?
One for the RS there, methinks
Charles Hawtrey
Player Valuation: £50m
Gershwin's Porgy and Bess:
Oh Jonah, he lived in de whale
Oh Jonah, he lived in de whale
Fo' he made his home in
Dat fish's abdomen
Oh Jonah, he lived in de whale
Oh Jonah, he lived in de whale
Oh Jonah, he lived in de whale
Fo' he made his home in
Dat fish's abdomen
Oh Jonah, he lived in de whale
Charles Hawtrey
Player Valuation: £50m
.... and lastly my favorite Squeeze song:
"She unscrews the top from her new whiskey bottle
Shuffles about in her candle lit hovel
Like some kind of witch with blue fingers and mittens
She smells like a cat and the neighbors she sickens
Black and white TV has long seen a picture
The cross on the wall is a permanent fixture
The postman delivers the final reminders
She sells off her silver and poodles and in china"
"She unscrews the top from her new whiskey bottle
Shuffles about in her candle lit hovel
Like some kind of witch with blue fingers and mittens
She smells like a cat and the neighbors she sickens
Black and white TV has long seen a picture
The cross on the wall is a permanent fixture
The postman delivers the final reminders
She sells off her silver and poodles and in china"
Cellardweller
Player Valuation: £8m
Although they nicked this and tailored it to their song, this passage from PKNB by Asian Dub Foundation;
Oh The Sun has got it’s facts wrong
Hip hip hip hurray
The Sun has got it’s facts wrong
And it’s f@@king up my day
Oh The Sun has got it’s facts wrong
Hip hip hip hurray
The Sun has got it’s facts wrong
And it’s f@@king up my day
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