Classic Album No 2
CHAOS AD / SEPULTURA / 1993
Chaos A.D. is the fifth studio album by Brazilian heavy metal band Sepultura, released in late 1993 through Roadrunner Records. This was the record that helped the group transcend their previous death/thrash style,
deepening their forays into hardcore punk, industrial and Brazilian-styled percussion. It would later become one of the founding pillars of the groove metal subgenre.
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-1
It won silver and gold certifications throughout Europe and the USA, and was considered their first step into the metal mainstream.
The band considered a number of producers, including avant garde jazz composer John Zorn and Al Jourgensen of industrial metal pioneers Ministry. They settled with Andy Wallace who had previously mixed Arise. Sepultura wanted isolation, and for that Andy Wallace suggested Rockfield Studios located in South Wales.
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-2
"Kaiowas" was recorded live among the ruins of the medieval castle of Cheptow. It was an entirely acoustic track, with Andrea Kisser and Max Cavellera on the guitars and brother-drummer Igor Cavellera and bassist Paulo Jr. handling the percussion duties. When they recorded "Kaiowas", the quartet never even considered playing the track live, because they thought it would be too difficult to recreate the drumming on stage. They changed their minds after seeing a video of the American band Neurosis: "We saw in that live video that the Neurosis guys put down their guitars and everybody started to play the drums on stage", lead guitarrist Andreas remembers. "We decided to try the same thing. We rehearsed it once and it was wonderful. We haven't stopped playing the song live since."
During
Chaos A.D's sessions, Sepultura recorded a number of B-Sides "The Hunt", from New Model Army, "Policia", from Titas, "Inhuman Nature", from the American hardcore punk band Final Conflict and "Crucificados pelo Sistema", from Brazilians Ratos De Porau. Igor was a New Model Army fan and he convinced the other band members to include "The Hunt" on the record. Paulo joked that the money of the LP would go straight to new dentures for Justin Sullivan, the toothless singer of New Model Army.
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-barcinski131-0
Out of the boredom of playing the
Arise songs for two years straight and the threat of musically stagnating, Sepultura pushed the envelope on
Chaos A.D. The first track, "Refuse/Resist", revealed the band's new musical direction: slower, with more emphasis on groove than speed.
The song starts with the heartbeat of Max's then-unborn first son, Zyon,
followed by some Afro-Brazilian drumming reminiscent of Salvadore, Bahia reggae group Olodum
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-barcinski131-0. About the track's introductory guitar riff, Max acknowledged that it "could have been created by a death metal band."
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-haagsma1993-6
Diversity was the key to
Chaos A.D., revealed Max Cavalera. "Biotech is Godzilla" was "pure hardcore", according to the elder Cavalera.
"Nomad", with its characteristically slow riffs, was described Max as the answer by lead guitarist Adreas Kissers to Metallica's "Sad but True".
http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-barcinski128-7The album also featured Sepultura's first all-acoustic incursion, "Kaiowas". "It's like a mixture of Led Zepplin, Sonic Youth and Olodum", said Max of that particular song.
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http://en.wikipedia.org/wiki/Chaos_A.D.#cite_note-lemos-4