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Your Favourite Poem

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Mid-Term Break
by Seamus Heaney

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.
 
Mid-Term Break
by Seamus Heaney

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.

I always found this hard work and usually skip it when I come across it. Just read it and the last line still has the power to unnerve and move . About his younger brother Christopher if I recall.
 
Spike Milligan

Indian Boyhood
What happened to the boy I was?
Why did he run away?
And leave me old and thinking, like
There'd been no yesterday?
What happened then?
Was I that boy?
Who laughed and swam in the bund
Is there no going back?
No recompense?
Is there nothing?
No refund?

The Soldiers at Lauro

Young are our dead
Like babies they lie
The wombs they blest once
Not healed dry
And yet - too soon
Into each space
A cold earth falls
On colder face.
Quite still they lie
These fresh-cut reeds
Clutched in earth
Like winter seeds
But they will not bloom
When called by spring
To burst with leaf
And blossoming
They sleep on
In silent dust
As crosses rot
And helmets rust

[Lauro is a town in Campania, Italy, part of his war. After physically surviving a heavy shell burst here he broke down.]

When I suspected

There will be a time when it will end.
Be it parting
Be it death
So each passing minute with you
Pendulummed with sadness.
So many times
I looked long into your face.
I could hear the clock ticking.
 
Last edited by a moderator:
I always found this hard work and usually skip it when I come across it. Just read it and the last line still has the power to unnerve and move . About his younger brother Christopher if I recall.
Yes, killed in a car accident I think.
I only really started reading Heaney's poems when my daughter studied them recently for school.
They are like seemingly simple little drawings that you look at and spot something that you didn't notice before.
This one really captures the little details and emotions that you feel when a loved one passes away unexpectedly.
 

Mid-Term Break
by Seamus Heaney

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.
I remember reading this in school.

We'd had a classmate killed a year or two before, knocked off his bike in Kirkdale. We were about 14. His birthday was Xmas day. His mother and father had twins who'd died before he was born. 3 kids all dead. Our teacher was there when they turned his life support machine off. If he'd worn a helmet he'd have been alive now. I don't know if anyone in our class ever spoke about Anthony when we read this, or we all just wanted to get on with it.

But I remember it upset me at the time, perhaps subconsciously thinking about him without realising. I think of him and his parents a lot, especially now I've a four year old myself.

I didn't fully comprehend the power of this at the time, as you don't when you're 15, but it did make me think, even then, but more so now. Powerful.
 
...and for those of you who don't know it

Philip Larkin - This Be The Verse

They f*** you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were f***ed up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another's throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don't have any kids yourself

Excellent poem. Says exactly what it needs to say, and doesn't waste words.
 
A poem that came to exemplify war as a sport : the public school ethos of 'playing the game' which came to such a disastrous halt during the First World War. Newbolt came to dislike the poem describing it 'a Frankenstein's monster'.


Vitai Lampada
("They Pass On The Torch of Life") Sir Henry Newbolt

There's a breathless hush in the Close to-night --
Ten to make and the match to win --
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote --
'Play up! play up! and play the game!'

The sand of the desert is sodden red, --
Red with the wreck of a square that broke; --
The Gatling's jammed and the Colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England's far, and Honour a name,
But the voice of a schoolboy rallies the ranks:
'Play up! play up! and play the game!'

This is the word that year by year,
While in her place the School is set,
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind --
'Play up! play up! and play the game!'



 
Rainer Maria Rilke - Death

Before us great Death stands
Our fate held close within his quiet hands
When with proud joy we lift Life's red wine
To drink deep of the mystic shining cup
And ecstasy through all our being leaps -
Death bows his head and weeps
 

Not the official ones, who have been
Diagnosed and made tidy. They are
The better sort of patient.

They know the answers to the difficult
Questions on the admission sheet
About religion, next of kin, sex.

They know the rules. The printed ones
In the Guide for Patients, about why we prefer
No smoking, the correct postal address;

Also the real ones, like the precise quota
Of servility each doctor expects,
When to have fits, and where to die.

These are not true patients. They know
Their way around, they present the right
Symptoms. But what can be done for us,

The undiagnosed? What drugs
Will help our Matron, whose cats are
Her old black husband and her young black son?

Who will prescribe for our nurses, fatally
Addicted to idleness and tea? What therapy
Will relieve our Psychiatrist of his lust

For young slim girls, who prudently
Pretend to his excitement, though age
Has freckled his hands and his breath smells old?

There is no cure for us. O, if only
We could cherish our bizarre behaviour
With accurate clinical pity. But there are no

Notes to chart our journey, no one
Has even stamped CONFIDENTIAL or Not to be
Taken out of the hospital on our lives.
 
John Keats (1795-1821)

TO AUTUMN.
1.
SEASON of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
2.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
3.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
 
John Keats (1795-1821)

TO AUTUMN.
1.
SEASON of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
2.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
3.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

You write any of your own material
 

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