McBain
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- Portman played it with one-note timidity, plus she was miscast (too old).
- Stranger Things reignited Winona's career.
- being a critical or commercial smash doesn't mean i'm gonna love it.
- the shock tactics are hiding behind the artistry. it's too prevent such tactics being labelled cheap. it's art, darling...shock is allowed. See also bumhole play in Last Tango in Paris. it's an old trick of perverted male directors.
- a mesmerising set of characters? hahahaha
- deconstructing is a favourite critic's-word, but often doesn't mean anything concrete. which genres did the film 'deconstruct' and how did it do it?
- i agree on The Fountain. Nice idea, but boring & overly-emotional. 3/10.
You can hate a film - nothing wrong with that, but your criticisms of its story, it's technique and its reception are baffling.
- Portman played it with one-note timidity, plus she was miscast (too old)
So Wrong. An Oscar. A Bafta. A Golden Globe. You don't clean sweep every award ceremony with a one-note performance. What are you smoking? Every single person (bar you obv) sees one of the of the most mesmerising performances ever. Perfect. If you can't see how good she is - then there's no point debating it. You are literally the one guy at the back of the auditorium fuming Yannick Bolaise didn't get the Ballon D'Or here.
- Stranger Things reignited Winona's career.
Wrong again. A simple look at IMDB will tell you her last major starring role was 1999's Girl Interrupted. She was found shoplifting and didn't find her feet again until this film.
- being a critical or commercial smash doesn't mean i'm gonna love it.
Absolutely. You are more than welcome to your opinion, and people can hate anything and everything nowadays. I just take umbrage with you calling it [Poor language removed], when it's actually brilliant.
- the shock tactics are hiding behind the artistry. it's too prevent such tactics being labelled cheap. it's art, darling...shock is allowed. See also bumhole play in Last Tango in Paris. it's an old trick of perverted male directors.
Yeah I don't think you understand the World he is portraying here. I don't, because I'm not in that world, but to lay that claim when it's literally a cinematic reflection of 'Swan Lake' is blinkered.
- a mesmerising set of characters? hahahaha
Again, not sure what you're watching here. I watched a cast so bound in a unrelenting, uncompromising world steeped in its own tradition they play them to grim perfection.
- deconstructing is a favourite critic's-word, but often doesn't mean anything concrete. which genres did the film 'deconstruct' and how did it do it?
Well I'm glad you asked, because you kind of missed it slapping you in the face, or it must have been during your multiple eye-rolling groans as you were forced to sit through it. You don't like the word deconstructing? It's common because that's the signature style of the times. Where the idea is to construct a story, the fashion is to deconstruct the same story and look at it in a new light. That's what it means. Even the soundtrack is a deconstruction of the classic Tchaikovsky score. It's very concrete and happens across every media platform. The genres used in the film were horror, romance, drama, fantasy and thriller. Here's a review from the NY Times https://www.nytimes.com/2010/12/03/movies/03black.html which sums it up more perfectly than I could.