Last Film You Watched

the new one?

why are all modern remakes/sequels of classic 70's/80's sci-fi (made say after year 2000) just total pants? my guess is the priority being to appeal to a global (chinese, indian) audience: it broadens the appeal while losing the edge.

so many examples of film series that are rubbish now but where the originals are utter classics:

Star Wars
Terminators
Alien/Predator
and loads more

the missed opportunities just annoy me.

It's a lack of a new idea and the mistaken belief that making things complicated and dark is required for it to appeal to todays "more sophisticated" crowd. Take the original pitch for Predator...

Bad-ass guns for hire go into the jungle to rescue hostages and end up getting hunted by an alien.

Whereas The Predator has a convoluted plot involving a second predator, a complicated relationship with the ex-missus, predator dogs and treats autism as a cutesy superpower next level advance in human evolution.
 

that's the bit i hate the most...modern sci-fi/action films feel the need to stuff emo family crap in there, to boost the feels.

the classics never needed that, they thus had more room to breathe, the viewer could really soak in the atmosphere.

If it's done well it's fine. The best thing about Midnight Special is the relationships of those around the boy and how they drive people to go extremes way beyond what they would normally do.

When it's a cynical box ticking exercise then it's awful.
 
Finally got around to watching Hereditary on Prime - had amazing reviews when released last year.

It's an absolute masterclass in pure dread. This is horror, it dials everything up to 11 and doesn't let you go. A horror film at 2 hours was, in my eyes, a little bit too long to drag out a 'monster' but it completely gripped me from start to finish. Fantastic acting and all round horror. The sheer dread reminds me of Rosemarys Baby.
It descends in to a farce for the last 15 minutes though, up to then it was pretty good.
 

Just watched “The Dawn Wall” the story of the attempt by two US climbers (Caldwell and Jorgeson) to free climb the Dawn Wall of El Cap in Yosemite, possibly the hardest climbing route in the world.

Really enjoyed the film and thoroughly recommend it.

Makes a change to watch real superheroes in action.
 
Just watched “The Dawn Wall” the story of the attempt by two US climbers (Caldwell and Jorgeson) to free climb the Dawn Wall of El Cap in Yosemite, possibly the hardest climbing route in the world.

Really enjoyed the film and thoroughly recommend it.

Was about to post about Free Solo, which was shown for the first time over here this weekend. Also a quality film if you like that sort of thing.
 
For your eyes only

I thought I remembered this being one of the better Bonds, but it actually starts out really badly. Then Bond decides to climb a mountain and from there on out it’s great. Sadly that’s just barely a half an hour of good film. 5/10
 

Capernaum. It's well made and well acted, but it didn't quite have the emotional impact I thought it would; a bit long and drawn out, too. Still, it would have been more deserving of the foreign language Oscar than Roma was.
 
that's the bit i hate the most...modern sci-fi/action films feel the need to stuff emo family crap in there, to boost the feels.

the classics never needed that, they thus had more room to breathe, the viewer could really soak in the atmosphere.
Best Sci-Fi I've seen in the last year is Upgrade, great idea for a movie, if it had been given a 100m budget it could have been Epic.
 
Caught this on Amazon Prime (Broomfield has several other films featured on there recently) -

Biggie and Tupac (2002) - a documentary from accomplished British filmmaker Nick Broomfield (Kurt & Courtney, Aileen Wuornos: The Selling of a Serial Killer).

Shot in a handheld format with no jazzy editing and a stark grainy "urban" look, Broomfield charts the rise of the two slain rap stars from street hip-hopping, through to global mega-stardom, and their eventual mindless east-coast/west-coast feud that ended both men being gunned down within 6 months of each other.

Some priceless archive footage - a young Biggie hip-hop freestyling on the streets of his native Brooklyn aged 17, an energised Tupac ranting about recording and producing in the studio (he recorded an insane amount of material in his short life, and was a workaholic).

It's surprisingly moving and tragic - Loretta, mother of Christopher "Biggie" Smalls is particularly noble and proud of her son's achievements whilst quietly raging at the way he was mysteriously slain with no-one answerable for his death.

Indeed - the fact that no-one was ever convicted for the murders makes the movie a fascinating journey into the dark side of fame, with the LAPD, FBI, various hangers-on and the menacing figure of Marion "Suge" Knight all implied to have had a hand in the deaths of both men.

Broomfields' bumbling, strangely laconic style shouldn't work when tackling such a divisive and volatile subject matter, but it just DOES. Witness the final climatic prison interview with the hugely imposing figure of "Suge" Knight - whilst you can sense the fear (the camera man is very jumpy) Broomfield is very upfront and mellow in the face of such a notorious figure.

Even if you don't like rap/hip-hop, the mystery of the murders and the various characters involved are definitely worth seeing.
The film is a valuable document of a strange time in pop culture when stars freely associated with gangsters and undesirables - indeed glorified them (certainly in the case of Tupac Shakur).

"Suge" Knight looks, talks and sounds like a comic-book crime baron....indeed he is currently back in the slammer for 28 years for the manslaughter of a man he "accidentally" ran over....

Worth it for his interview alone...
 

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